#Data encapsulation

[shivam854]

https://blogzone.hellobox.co/6922712/deep-dive-into-object-oriented-programming-in-python

[heckyeahponyscans]

Happy Fakie Friday! Today I'd like to talk about my personal definition of what makes a toy a "fakie", as I've had people bridle (hee hee) at some of my Fakie Friday picks in the past.

First, let's talk about what doesn't define a fakie.

A fakie doesn't have to be a bootleg (though they can be).

A fakie doesn't have to be made by an unknown, fly-by-night company. Remco was founded in 1949, Buddy L's toy division was founded in 1921.

A fakie doesn't have to have incomprehensible or poorly designed packaging.

A fakie doesn't have to be a poor quality or poorly thought out toy.

Okay, so what IS a fakie?

Fakies aren't about non-Hasbro horse toys being "bad" and Hasbro horse toys being "good"; it's about how impactful the My Little Pony brand is. Even in the years where the toyline was completely dormant, your average joe would look at a rainbow horse with a heart on its bum and think "My Little Pony."

^ This horse in Hercules isn't proportioned like a MLP at all but in the Year of Our Lord 1997 everyone was talking about "the scene where Pegasus was almost seduced by a My Little Pony." (Though the pink horse was actually the bad guys in disguise.)

I love fakies! But no matter how innovative and high quality are, they cannot escape being compared to the platonic ideal: a Real My Little Pony.

So here is my ultimate test of whether a toy horse is a fakie:

Throw away its packaging. Lose all its accessories. Toss it in a baggie with random small toys and hang it on a hook in Savers, Value Village, or Goodwill.

If your elderly relative who knows nothing about toys points out the baggie and says to you, the collector: "Oh, here's one with a My Little Pony in it", then it's a fakie. ;)

[yardsards]

think of a character that isn't canonically trans that you headcanon as being trans-masculine. (if you have multiple, just choose one arbitrarily or pick your favourite)

trans-feminine headcanon poll

[maythray]

google search jobs for people who like to work with computers and dig into how they actually work and stuff.

[hope-for-the-planet]

World surpasses 40% clean power as renewables see record rise

This is from the Global Electricity Review 2025 by Ember. Although this isn't something you are going to see in newspaper headlines, the progress we made with renewables in 2024 is a pretty big deal and if you're someone who likes a lot of data and graphs it's really worth reading.

I'm going to leave this video here because Hank Green does a better job of covering it than I am going to.

"This to me feels like news. It feels like a big deal. It feels like things are changing, like we are hitting a moment with electricity generation that really does matter. And over the next five years we will hit the point where we are generating less and less energy with fossil fuels every year. That's great. And that's not news. I didn't see anyone covering this [...]. It's not news because it's not bad and it's also not news because it's not like 'we did it, we hit the moment!'."

I think this quote from Hank's video does a good job of encapsulating how the slow, gradual progress that is happening often doesn't make it into the news--because it's not a dramatic emergency or a "we did it, we fully solved climate change!" kind of moment that makes for good headlines.

But that then gives people the idea that we're hardly making any progress on addressing climate change, which is not true at all. The fact that we need to continue to double-down on this progress to do it more and faster does not negate that so much progress has already been made.

[skywalkr-nberrie]

This particular Vader comic (2020) chapter encapsulating my favourite scene ever in any Vader comic that exists.

Vader goes to visit Padmé’s and his old apartment after finding out that Luke was his son, and brings his droid companion along with him (forgot its name, lol.) It questions him about why they’re even there, Vader surprisingly answers the question honestly and says that Padmé is Luke’s mother to which the droid responds by rummaging through its data, and finds that Padmé was often accompanied by a Jedi Knight by the name of “Skywalker” which is Luke’s name.

The best part of this scene being how the droid further adds to his statement that “they” must have become “friendly.” 😏

It’s the way Vader is just standing there listening as the droid says this for me.

[quasi-normalcy]

I think that you can draw a line from Spock to Data to Tendi, tracing the evolution of how the ideal scientist is framed in popular culture:

Spock: Cold, dispassionate, strives for mechanical objectivity; aloof and separate from the rest of his society, kind of arrogant (bit of a misogynist, frankly, but not in the traditional way): the perfect encapsulation of the brainy, post-war, masculine scientist archetype.

Data: Inherits mechanical objectivity by his very nature, but problematizes it; suggests that he wants to be/should be in the world and a part of society, but can't quite manage it; absorbs everything with boundless patience and curiosity without rushing to judgement; outwardly male but not really "masculine" in any way that matters: the perfect encapsulation of science in transition after the end of the Cold War/rise of STS

Tendi: Warm, emotional, boundlessly passionate about her research; objectivity comes from her ability to compartmentalize, she doesn't need to make a machine of herself or detach herself from society; female, but in, frankly, kind of a queer way: perfect encapsulation of the 2020s scientist-as-friendly-nerd archetype.

[papayadays]

🧸Oscar + the silent eye contact from across the room pleaseee

tysm for the cutest ideas, sasha!! <33

the garage was buzzing, metaphorically and literally. the crew were working on the car, the sound of the engine a constant background noise; the engineers were busy staring at the data, crunching the numbers and optimizing performance. it was a familiar scene to anyone aware of the sport, a still life that encapsulated the controlled chaos of the sport.

you were in the back of the garage, papaya headphones on as you glanced at the mclaren members working. lando was gesturing about something on his side to the pit crew, casting a look at his car; oscar was huddled with his engineers, a hand running through his brown hair as a chart was pointed at. he nodded, but you could tell he was getting bored. his eyes glanced up, meeting yours almost instantaneously.

you gave him a small smile and a wave, to which he returned. his brown eyes gave you an amused look, and it was like you two were conversing without uttering a word. you rolled your eyes playfully, and you saw oscar struggling to hold back a chuckle. while you wanted to go over, take his hand, and tell him not to worry about qualifying, you knew he had duties to the team and his engineers.

his engineers, which were currently tapping on oscar’s shoulder to bring him back. your boyfriend gave you a quick smile before turning back to his engineers, cheeks the faintest bit pink from being caught glancing at you, though you both loved it.

joyce's birthday bash! 😽

[nezz-cringe-crib]

not not not normal about the machinery/technology themes in L's english musical lines it has me in a grip.

all the characters actually have such clear themes and motifs but i especially love how L's is so subtly crafted.

there's obviously "The Game Begins." very clear machinery themes. pixels and code and blahblahblag sad technology boy. BUT IT CONTINUES IN OTHER SONGS TOO!! WHICH IS SO NEAT. AND THE PLACES THEY CHOOSE TO PUT IT IS SO GOOD in fact here's a whole list of bits i can pinpoint:

Secrets And Lies: - "All of the data has been analyzed" - "What other data does he have to see?" - "The truth is hard to sort out"

The Way Things Are: - "The cold, hard truth / Can't shut it down... / You can't turn it off" - "I won't let who I used to be... / Get me out of sync" - "I'll turn into a different me / Not so cynical / Not so clinical" - "Frame by frame / I see this movie in black and white / Shot by shot / Minute by minute..."

The Way Things Are (Reprise): - "I win the game / Gotta calculate one last trick"

The Way It Ends: - "Go through the motions like the hands upon a clock" - "I'm like a software program caught inside an endless loop / Just bad code that keeps repeating" - "It's like I'm hitting all my marks, as if I'm acting in a play / So out of character, yet somehow not a shock" (THIS ONE I LOVE THIS ONE IM TALKING ABOUT LATER) - "My camera's cloudy lens now / Takes much darker pictures than before" - "See it flicker, hear it humming" - "The message that it sends now / Sounds exactly like a closing door"

i bring all of this up to not only point out all the little machinery bits bUT TO NOTE WHEN THE MACHINERY ISN'T PRESENT AND IS MOST PRESENT.

the only songs where we lose the theme of technology in L's lines is when he's with light. "Stalemate" and "Playing His Game" aren't on this list. L doesn't use many technological terms in those songs. the only ones that pop up are said by light (ex: "Does he see pixels, not dreams") and that's because it's about light trying to follow L's machine-like thinking.

in fact, "Stalemate" (i think, it's late and i don't wanna check all those songs again) is the first time L uses some kind of human analogy: "Just like two actors on a stage / Go through the motions that we both rehearse... / Eyeball to eyeball / We'll see who blinks first."

IT'S BECAUSE HE'S WITH LIGHT. LIGHT MAKES HIM HUMAN.

IN FACT IT MAKES HIM SO HUMAN THAT WHEN LIGHT KILLS HIM IT LIKE SENT HIM THROUGH FUCKING SHOCK. WHICH IS WHY "The Way It Ends" AND "The Game Begins" HAVE THE MOST MACHINE BASED TERMS.

we are introduced to him as a robot, and it is stripped from him when he meets the one case/person that makes him feel alive, and suddenly it all hits him like a truck when the one thing giving him that sliver of humanity is what kills him. that line-- "It's like I'm hitting all my marks, as if I'm acting in a play / So out of character, yet somehow not a shock"-- encapsulates it perfectly. L is used to hitting all his marks already, because he has been raised as a machine, but with light those marks have been different. he has not been hitting them out of code, he has been hitting them out of precise and willing action. he did it with the fire that sparked inside and kept him burning, not the cold hard gears he was raised on. but playing with fire means melting everything you once had. it's gone now. it is what he has always done but it is no longer him.

note the shift from "eyeball" to "camera lens." note the mix of personification with machinery in "hands upon a clock" and "flickering" to "humming."

L lost because he was too alive. L died because for a second he was human.

[beautifulmars]

A Slice of Polar Layer Cake

The Martian ice cap is like a cake with every layer telling a story. In this case, the story is one of climate change on Mars.

In this image is an exposed section of the north polar layered deposits (NPLD). Like a delicious slice of layered tiramisu, the NPLD is made up of water-ice and dust particles stacked one on top of the other. However, instead of icing, layers are topped with seasonal carbon dioxide frost. We can observe lingering frost adhering to one of the layers.

The high-resolution and color capabilities of HiRISE provide details on the variations in the layers. Scientists are also using radar data, which show us that they have continuity in the subsurface. During deposition, these complex layers might encapsulate tiny air pockets from the atmosphere which, if sampled, could be studied to understand linkages to previous climates.

In the end, it’s not always a piece of cake studying NPLD on Mars but, where there is cake, there is hope!

ID: ESP_062216_2660 date: 4 November 2019 altitude: 319 km

NASA/JPL-Caltech/University of Arizona

[aventurineswife]

Falling Into Thought

Summary: Ratio finds himself in an unexpectedly vulnerable moment when his signature yearning pose in his swivel chair leads to a dramatic fall. As you enter his study just in time to catch him, a playful exchange ensues, revealing a rare, softer side of the great intellectual. The two of you share a moment of connection that hints at something deeper beneath Ratio's confident exterior.

Tags: Ratio x Reader, Fluff, Humor, Lighthearted, Intellectual Romance, Playful Interaction, Falling Chair, Slight Embarrassment.

[Based on by @teabutmakeitazure, thank you for giving me permission to write this 🤭🫶]

The grand library buzzed with the faint hum of activity. Rows of glowing tomes and data crystals lined the walls, bathing the space in a soft, multicolored glow. At the center of it all, Ratio sat in his private study, draped in his signature intellectual splendor. The room smelled faintly of ink, paper, and the electric hum of wisdom encapsulated in holographic displays.

You had been tasked with delivering a particularly rare manuscript to him—a task that simultaneously thrilled and terrified you. Everyone knew about Ratio’s brilliance and, of course, his ego. But for all his sharp words and commanding demeanor, there was something magnetic about him, something that pulled at the strings of your heart in ways you struggled to admit.

As you approached the door to his study, your steps slowed. You raised a hand to knock but froze at the faint sound of a deep, dramatic sigh from within.

Curiosity piqued, you leaned in closer, peeking through the slightly ajar door.

There he was, leaning back in his elegant swivel chair, his wavy hair cascading over the backrest. His forearm draped over his forehead in a theatrical pose of longing, his eyes closed, and his lips pressed into a thoughtful frown. His shoulders rose and fell with the weight of his sigh, and for a moment, you wondered if he had fallen into some intellectual reverie.

Or perhaps... was he thinking about you?

You shook your head, dismissing the idea as ridiculous. But as you watched, his chair creaked ever so slightly. It tilted further back with each sigh, and you realized with growing alarm that the chair was dangerously close to tipping over.

You stepped into the room just as his chair gave an ominous groan.

"Dr. Ratio—!" you called out, your voice breaking the heavy silence.

His eyes shot open in surprise, the yellow rings around his pupils gleaming like molten gold.

The sudden movement only accelerated the inevitable. The chair tilted back too far, and for a brief, glorious moment, he was suspended in midair, the epitome of grace and chaos.

And then—

CRASH!

Ratio landed in an undignified heap, his outfit slightly askew, his dramatic yearning replaced by sheer disbelief. For a moment, silence filled the room as he processed what had just happened.

You hurried over, struggling to stifle your laughter. “Are you all right, Doctor?” you asked, extending a hand.

He glanced up at you, his expression a mixture of mortification and irritation. But as his eyes met yours, the irritation softened, replaced by something warmer.

“I’m fine,” he said, his voice laced with dignity, though the faint flush on his cheeks betrayed him. He took your hand, and you pulled him to his feet, noticing how his grip lingered just a second longer than necessary.

“Thank you,” he added, straightening his vest and glancing at the fallen chair. “It appears even the great Dr. Ratio is not immune to the whims of faulty furniture.”

You couldn’t help but laugh, and to your surprise, he smiled—a rare, genuine expression that made your heart skip a beat.

“If I may say,” you teased, “perhaps next time, you should avoid leaning so... yearningly.”

His smile widened, and for a moment, the brilliant, self-assured Ratio seemed almost human.

“Noted,” he said, his tone playful. “Though, if I’m honest, I was merely... contemplating a certain individual who has been occupying my thoughts as of late.”

Your heart fluttered. Was he—?

Before you could respond, he straightened, his confident demeanor returning like a cloak. “Now,” he said, gesturing to the manuscript in your hands. “Shall we get to work?”

As the two of you settled into the study, you couldn’t help but feel that perhaps, just perhaps, the great Ratio’s yearning thoughts weren’t entirely lost in abstraction.

[lovelessrage]

Loveless: A Loveless Review

[Plain Text: Loveless: A Loveless Review]

Trigger Warnings For: Discussion of sex, sex negativity, platonormativity, arophobic tropes, and anti-loveless rhetoric

Disclaimer/Disclosure: I couldn’t finish this book. This will factor heavily into the review, as it has to do with how some scenes, details, and the writing quality were just very hard to sit with and continue. I got about 50% through, so I didn’t just skim pages and get back to you on it.

You might guess I don’t think of this book highly if I had to put it down and stop reading. This would be correct. However, I have more in depth thoughts than that. If you like this book and don’t want to read negative things about it, that's fine, but I implore you to read it anyway. A lot of the problems in this book are present in a lot of creations I see and can be a valuable teaching lesson; loveless people aren’t out to ruin your fun because biases got questioned.

Alright. Enough disclaimers. Review under the cut.

The Bingo Card: Surprisingly, Not A Strikeout

People who have been following me for a while may remember I mentioned I went into reading this book with a bingo card in hand: Loveless and Tired Bingo, a sheet made by yours truly. I did not get Bingo with this book! I did, however, fill 17 spaces out of 25; it just didn’t happen to line up, not because the book passed with flying colors. We’ll return to the Bingo Card at the end of this post to see what it looked like. But, letting you know, that’s a rate of 68% of all squares ticked on Loveless and Tired Bingo. Not looking so hot. 

Let’s start with the meat of the post so nobody has to read it all if they just wanted my representation opinions. Other things like writing will be shuffled down for your convenience.

Edit: Past Scowl is a liar and a fraud and did not have maims glasses on, and misread the bingo card! I did get Bingo. Oops. Point still stands because the data is the same, I just gave this book a sliver more credit than it deserved for not getting one.

Platonormativity, Envy, and The Loneliness Whirlpool

If this book had a full course meal, normativity would ironically be a key ingredient in every plate on the menu. Loveless has a platonormativity problem that confronts you from page 1, more realistically before that; the blurb!

[Text ID: From the marvelous author of Heartstopper comes an exceptional YA novel about discovering that it's okay if you don't have sexual or romantic feelings for anyone... since there are plenty of other ways to find love and connection. /End ID]

I promise not all my complaints will be raving about one sentence, but this kinda encapsulates the entirety of my problem with Loveless: Georgia Warr is not supported in her own novel. Loveless is a deeply insecure book that many can relate to, but, really… does it alleviate that insecurity, or just cover it up? There’s an unspoken “but” to every part of Loveless’ philosophy about aspec people [especially aroaces], where they must have platonic love to make them whole, to “fix” and “redeem” their lacking attractions. This has always bothered me, and it’s not an uncommon opinion in the community, unfortunately.

Aroaces aren’t allowed to simply “be” – they must be more. They must be so platonically invested you forget they’re aroace, because they have all this other type of love to give the world. It’s reflective of a view on a community sourced from hurt and exclusion, of someone trying to rebuild their worth on a new forefront. It doesn’t make it less of what it is, though: it’s a “yes they’re valid, but” statement that serves as the backbone for far too many aspec-focused media. 

Georgia is a deeply unsure character, and there’s nothing wrong with her being this way; she’s a fictional character made to represent a journey of acceptance, not a real person with the ability to inflict harm on other real people. She does reflect the author’s biases in many ways and many points on the same token, though, acting as a mouthpiece. This often comes in Georgia’s insistence her friendships are simply stronger than other relationship types, as well as her reflexive tendencies to judge the friendless.

One of my many, many hurdles in this book had to do with Rooney [someone save her and half the cast from this novel, please], when the group realizes she’s only a socialite, not really a long-term relationship holder, and the entire room devolves into silent judgment. Georgia does not defend her newfound friend, simply noting she thought differently of her. What about Rooney not having many friends changes her outgoing personality? It doesn’t. It’s simply the fact that Rooney being friendless makes her weird, as with many things Rooney is unfairly demonized for in this novel.

The emphasis on friends doesn’t end here, and persists through the entire novel, practically. It is the main focus, when it isn’t talking about Georgia’s disinterests, and her friend circle is very important to her. All of this is fine. What isn’t fine is the expectation and casual enforcement of friendship being all you have, so you must seize it; this book, even though I wouldn’t recommend it, is often given as The Book on being aroace, but I wouldn’t agree [you’re free to tell me I can’t have an opinion on that if I’m not aroace, but at least read on before deciding anything, alright, official hear me out warning]. One, not all aroaces are alloplatonic, and two, this:

Why Is This Book Written Like A Workplace Safety Seminar

It’s a very… cookie-cutter way to be aroace, and cookie cutter aroaces exist in real life! The rep should exist, no doubt, and shouldn’t be taken away from anyone. It’s not my problem per se that the book is semi-stereotypical. What my problem is has to do with something I see a lot.

The book falls into many of the pitfalls of what I’m dubbing “the pamphlet effect”: when a novel, show, etc. continuously needs to halt the plot to remind the audience this character is different, and explains this to you in a way that resembles an educational pamphlet at a pride event. Georgia Warr feels like an example given to explain a concept more than a person, and I feel bad for her because of how little this book engages with her actual character when it shines through. I understand the book is primarily centered on her journey through the spectrum, but very little is given to make Georgia’s experience unique outside of one scene off the top of my head. Her interests, hobbies, and unique feelings only seem to play a role when it comes time to be an author mouthpiece on slutshaming for fun and sport; only one scene, the forced kiss with Jason when rehearsing the play, really blends her life experiences with her aroace experiences.

Georgia feels designed to be an everywoman, and it was very disappointing to say the least. Very little of the book actually feels like I’m with her, or learning about her unique take on being aroace as a theatre fan or young adult figuring things out; it just feels like Georgia [and the reader] are being dragged through the Cliff’s Notes version of what it is to discover being aroace, rather than a look at how a character like this might feel differently than others on a fuller, whole scale. She’s a hole that can fit most shapes into it, which makes her broadly relatable, but not as fun or engaging to read about if you don’t fit precisely in the demographic Georgia is for; even if you do, is there much to engage with beyond “I’m like that too!”? 

This isn’t just a Georgia problem, either, as many, many characters in this book are walking stereotypes or very flat. But, we’ll get into that later [if you want to get into it now, skip to Writing Problems, Oh My!].

The Fingering In The Room: Loveless’ Weird Ideas About Sex

Alright, if you’re sex repulsed and braved the storm to get some insight, this next paragraph is just complete confusion about this book’s sex scenes and talking about some of the details within. If you want to skip that, skip the next paragraph.

Why is everybody fingering each other? Fingering is fine and it feels good, but it is basically the only sexual act this book knows outside of making out with tongue. Someone having sex in Loveless? They better have clipped their nails because at least two are going in. It feels like a point of research that was skipped because it was unimportant, which. Pretty much, yes. But when you’re someone who pays very close attention to sex scenes because you’re of the opinion they can have artistic value, as well as conveying the author’s views on sexuality, I come away with “is fingering what Oseman thinks young adults do?”. Anyways. Something I noticed.

[Okay sex repulsed people, you’re good. No in depth descriptions beyond this point, just the word “sex”.]

I should’ve titled this section “In Defense of Rooney Bach” because oh this poor girl. Oh you are just there to be gawked at.

First off, let’s begin in a good place: this book always has to clarify it isn’t slutshaming its characters, followed by slutshaming its characters. Rooney is, for the uninitiated, very sexually active. Georgia’s envy often leads to a judgemental, close minded view of Rooney that often pins her sex life as “too much” – something many sexually active women get villainized for. It strikes me immediately how Rooney is constantly picked on for her sexuality as a woman in ways no male characters who aren’t asexual either are treated. None of the men she flirts with or spends time with are reprimanded or “held to account” by the book; Rooney alone is breaking the rules. Rooney’s descriptions are often bookended with a disclaimer that she isn’t being called a slut, she’s just like one, which… This is slutshaming. You can’t just say you aren’t doing it to not be doing it.

Rooney is also a victim of a very arophobic trope, and one that is also misogynistic: the Broken Woman. Why is Rooney sexually active? A rough breakup that broke her heart and makes her fear intimacy on account of potentially being wrong again. Sure, sex feels good, but explicit focus is made on the fact she is only not engaging with romance because she tried and it didn’t work. For a few chapters, admittedly I was hoping for a book where an aroace and aroallo can get past some differences and expand each other's worldviews; what I got was Georgia thinking pretty poorly of Rooney through unaddressed envy and sex negativity, and Rooney being made to only like hookups because she’s messed up. Because of course a woman could only enjoy that if she had a negative experience that forced her on the path!

Also, another scene I didn’t like was Georgia and Pip watching Rooney have sex while she is completely unaware of their presence? Jason leaves as soon as he notices, but the two of them watch before Pip makes a comment on how disgusting it is and Georgia agrees. I’m shocked at how little this is brought up as being violating or creepy. 

If it was a better book, I would have expected it to result in some kind of furthered conversation about boundaries; it could've been a place for Georgia to start establishing what she likes and dislikes, starting with Rooney preferably keeping her out of her sex life when she’s able. Instead, this event gets brought up solely for jokes, and for a motivation for Pip to start hating Rooney, despite her insistence it wasn't because of the hookup and she isn’t slutshaming. Always a great sign when that needs to be clarified. This is a PSA for everyone: you should not need to clarify you aren’t trying to slutshame. If you feel the need to do so, you are probably being sex negative. 

This book isn’t very fond of sexually active people, nor is it kind to characters that are. I can understand why being asexual and sex repulsed is representation people would want, but I also think there’s many, many ways to write it without making it an exercise in shame.

Ironically Kinda Arophobic In Some Parts

This is a short section of a thing I noticed, hated, and had as a contributing factor for my ending early: this book loves aphobic tropes. There’s already the trope against aroallos of not needing romance because of being broken into only liking sex, but also the problem with Pip and Rooney.

I’m a lesbian, for clarification, and I’m saying from experience that I hate the archetype of the angry, jealous lesbian. It’s everywhere. It’s in this book. Pip, upon even the idea of being rejected, starts berating and demeaning the girl who turned her down, even if she was only turned down in her head. The book passes it off as a lighthearted, funny story that Pip got so mad at an ex-crush she was suspended for throwing an apple at their head. Why do I bring this up?

Is it not ringing any bells that this is arophobic? That a character so hostile to romantic rejection is treated as a joke? Many, many aros, and queer people in general, have experienced violence for turning down someone. It’s a serious issue for aros and a real fear in rejecting someone. I found it incredibly hard to read and sit through as everybody passes off Pip’s tendencies to do this to the women that reject her as a silly, funny Pip moment and not a major issue for the aspec community. I don’t care if it’s enemies to lovers, because it doesn’t really feel good to read at all. The only tension is built off the back of something I’ve experienced in real life and many others have as well. 

Lovelessness: The Insecurity Unaddressed

This book, despite its title, is obviously about a loving character. Many people might not see this as a problem: first off, loveless doesn’t always mean the same thing, and second, many aroaces express feeling loveless when coming to terms with their identity. Here’s my rebuttal.

One: Georgia fits no definitions of the label. She subscribes to none of the beliefs. She loves her friends actively and sees their relationship as more than romance or sex, as something greater to her.

Second, this is because anti-loveless rhetoric is everywhere and all over this book. Not once is it suggested Georgia could live as loveless, or truly be without love. In the end, she is surrounded by it, simply learning to accept friendship instead. The way her insecurity isn’t met with “you’re complete as you are”, and instead with “you can still be complete if you simply fill the void with friends”, is anti-loveless. Nobody is allowed to be whole on their own without a subplot where their doubts are reinforced or they’re explicitly made to be broken inside.

This is shockingly common, and always sad every time I see it. Many aspects fear being loveless, as if it is a curse or blight they must cleanse. This book is one example out of many, but it doesn’t make it less hurtful when a book that runs against everything your community stands for [self-acceptance and the optionality of love] bears your name regardless. It is a book for people who are afraid of loneliness, and it answers their insecurities with “you’re right. You do need other people. You just need to find a way to still find and have a life partner!”. This is damaging to loveless people, especially those questioning an aplatonic identity.

Again, it’s not unique to Loveless. But, it’s reflective of a broader issue of aplatonics who may be seeking community constantly being presented with “you ARE broken, but friendship can fix you!”, a “solution” many can’t use, and often leads to even more self-hatred.

That’s about it from the aspec side of things. If you got this far, congrats! The rest is opinions on the writing, and the bingo card finale. You can drop off here if that’s all you came for.

Writing Problems, Oh My!

This is veering into heavy personal opinion, so, I will remind you: I don’t usually like YA, but YA can be a very good genre! I do not think this book is a good representation of what good YA looks like.

The writing quality is one of the hardest things to get past, because of a major problem I observed: Oseman is better at comics. This isn’t so much a vilification as a recommendation that it would’ve been much better suited for a different type of media. This kind of “media dysphoria” is present in many of the ways the book operates: many scenes would flow perfectly well in a visual piece. Georgia’s inner monologue has a tendency to jump suddenly into scenes and interrupt the action in a way that would be perfectly natural as a narration bubble put over a drawing of the scene around her. There are entire pages of just… text messages that would be much better suited to a visual medium where you could make these dialogue bits look much more interesting through different shots, or drawing what the background would look like on a screen [The Girl from the Sea does this well, for example]. 

There’s also the fact I cannot place in my mind if I'm too old for this novel. A lot of the jokes boil down to “hah! Sex!” in a way that instantly alienates me from the writing. The jokes can be pretty juvenile and repetitive, and serve to be the equivalent of a comedian saying “eh? Get it? That was a joke.” six times. 

This isn’t to mention the fact many of these characters are complete cardboard. Sorry. Jason does not need to exist. When he appears in a scene, he is ignored or completely leaves it on his own. He really only serves to drive Georgia’s character forward, rather than have one of his own. I found myself forgetting he was present in a scene at all until he spoke again and reminded me of his existence. The book would practically be unchanged if Georgia temporarily dated Pip and Jason was never a factor, plus or minus the Shakespeare Soc plot. 

Many interesting characters suffer from severe Pamphlet Effect syndrome. Most of the girls do. In a better novel, they would be more in depth, but Loveless doesn’t really afford them this luxury. I need to take the girls very far away from this novel, okay. I need someone to write a version of Loveless where they have personalities. There’s crumbs there. Please, someone make a loaf of bread out of it. They deserve it.

Another thing, but minor: the breakneck pacing at some points followed by slow slogs of not a lot happening contributes to the reading issues. You may thing something would be dwelled on, just for it to go flying away into the sunset as 3 more things happen and then one problem lasts for 2 chapters. I found it very hard to catch up with Loveless, while other parts I felt like I was constantly waiting for it to catch up with me instead.

The Final Frontier: The Bingo Card Returns

And without further ado, the Loveless and Tired Bingo Card for Loveless by Alice Oseman! Completed with help from other readers braver than I.

[Image ID: A bingo card made from a basic template. It has no title, and all the text is black on a white background. Some squares are marked with a blue X, while others are marked with a red scribble. The marked squares are: “Not prioritizing friendship treated as freak behaviour”, “Jab at loveless sex thrown in”, “Something about not being like THOSE people”, “Universal type of love is laid on thick”, “The answer to all your problems is finding some pals”, “Found family ending”, “Platonic-romantic binary”, “Love still treated as universal [free]”, “Friendship is more wholesome or pure”, “Amatonormativity BAD [platonormativity is my bestie]”, “Platonic love being more powerful or sumn”, “You still love your friends though, right?”, “Friendship saves the day”, “Still thinks you need dedicated people to survive”, “Being alone treated as worst thing in the world”, and “Friendships are more stable than partnerships anyways”. The unmarked, blank squares are: “Something about "players" and pickup artists where no commitment is villainized”, “Character fears being loveless and is kinda aplphobic about it”, “Aspec double standards [one is normal, one is weird]”, “You still love your FAMILY, right???”, “QPRs mentioned by no nuance given to their diversity”, “Friendship forced upon a character against their will”, “Comment about some people being inhuman gets brushed past”, and “Simply prioritise your family instead!!” /End ID]

Would I recommend this book? Uh. No! Well. Yes, but not as a good book for aspecs. I’d recommend it solely to read it yourself and form your own opinions. But, no, I would not recommend it to any aspecs I know, especially not loveless ones, aplatonic ones, aroallos, or if they're an aroace looking for support.

Ah, Loveless, how you vexx me. Never again. See you in the next, much shorter post.

[fisticuffsatapplebees]

Dr Stone is an anime/manga about the perseverance of humanity. About how we work together, and grow, and fight to keep surviving. To keep learning. It's about people and the bonds they make. About having unshakable faith and unshakable hope in what you can achieve with each other. Even when it's test again and again.

It's about how Ishigami Senku perfectly encapsulates all of this.

It's about forming a line and facing a threat like repetrification head on, with a smile on your face, to give your friend some data. Because you know that, if you all help him, even just a little bit, he will figure out how to survive this. And then he will save you.

[whyeverr]

ten people I'd like to know better

tagged by @gloomybugs + @teekalu — thanks, lovelies! 💗

last song: GTFO Doechii

favorite color: mauve, chartreuse, cobalt blue

last movie: The Substance

last book: Mockingjay lol so I had never read the Hunger Games series previously but with everything going on it felt like an important cultural reference for organizing with younger millennials + gen z

sweet, spicy, or savory: definitely on a sweet tooth kick at the moment but spicy always

last thing i googled: a lot of really fun searches about lead paint encapsulation yayyyy old houses so much fun never any drawbacks whatsoever /s

current obsession: oh, y'know, watching our elected representatives do absolutely fuck all as our government gears up to go full concentration camp on the "illegal" immigrants native to this land and an unelected, ketamine-addicted foreign national and his troupe of incel fanboys breech every data security protocol in existence to squeeze every last cent out of the working class, Sheriff of Nottingham style, to line the pockets of the billionaires who own them

looking forward to: starting seeds for our vegetable garden this spring, surviving in spite of all of the above 😉

tagging: @irrewilderer @cowplant-snacks @silwermoon-sims @thebramblewood @sweetbeagaming @panicsimss @kari-sims @shmoodlet @plumloup @limeysims please ignore me if you did this already!!!

[nefelegies]

I know you're probably getting an influx of messages from your video, but just wanted to say its my first year on art fight as an Old Person with free time due to Circumstances, and you really encapsulated every emotion felt just looking through the Recent Characters page, or searching for anyone to attack in general this past few weeks. At first I thought it was because it was mostly minors and teens participating, but I quickly learned by actually viewing user profiles that the OC Misogyny Problem is still as prevalent as ever, regardless of demographic. You can go pages and pages without even glancing a single Real Woman with a bio, especially any character older than 20. Literally saw a character today and her only descriptor was that she was "kind of retarded" (mentioned after her only other information, being her height, weight, and bust size).

Great work on the data collection, and a bit of truth many need to confront within themselves even if it makes them feel bad. Shouldn't make you feel bad by proxy, either. Keep up the great work, and I'll be watching your speedpaints if you choose to keep the channel going and upload more. Cheers :^)

oh my god that profile sounds genuinely dire. and i 100% believe it because i literally saw throughout the course of my study other ones exactly as bad. one user w only male characters had a single female character that was someone else's mother and her bio was the most overtly vitriolic thing i've ever read and called her everything short of a crackwhore. it's so hard!!! like genuinely i have memories of opening recent characters to seek out targets, seeing 9 out of the 30 characters were women, and digging into every single one of their bios to see the characters were all substanceless aesthetic-over-all 16-23yearolds. that sort of experience is why i went through all of this. it's insane. it's why i really tried to focus so much on the "quality" component because i have had people telling me "i open the site and see women, checkmate" and it's like... is a single one of them a Real Character though??????????

[stashandtell]

Some Recommendations for Fics That Influenced My Weasley-Ship Rankings

I ranked all my favorite Hermione/X Weasley Sibiling in my most recent post Nobody Asked For This: My Rankings of the Hermione x Weasley Ships with REASONS. Here are some recs to back my completely biased opinons. And now, you can read my fic, Ranking the Weasleys on AO3! - - - - As I sometimes mention on the internet, I keep a WILDLY long and fairly detailed spreadsheet of all the fanfics I've read. I've not been in the fandom long at all but due to life circumstances, I've had too much time on my hands since diving in and have allowed this special interest to wash over me and my whole life like the warm, scented water in the Prefects' giant bathtub. (I hit over 800 works read on my spreadsheet a few days ago and am going to do a numerical analysis and breakdown no one requested, so come back for the data if you're curious.) I've pulled some of my fave fics for my main Hermione x Weasley Sibling pairings -- though I have SO MANY MORE. All of these are mid-length to longfics (~30K-100k+ words, except for one) and are complete, unless noted. Normally I'd copy-and-paste the author's summary but since I'm going to be recommending many here-- I'll give you my 1-3 sentence take on the fic and encourage you to read the author's summary and tags. We're going in descending birth-order by sibling here to keep things tidy: Billmione: What's nuts to me about the Billmione ship is that I don't have a ton of fics I would enthusiastically recommend that explain why I love this pairing so much. I'm not a huge werewolf-ish fan, the age-gap isn't something that inspires my reading that much, and, to be completely honest, sometimes Bill is dry toast in a fic and replaceable with almost any other character. That said, for those of us who love a rare-pair, we feast on the scraps. We love the moments that fuel our headcanons and it's the cumulative experience of developing our own understanding of these characters that drives us into the arms of these fics more than anything. I had a difficult time pulling general recs for this ship, only because so few encapsulate what's I love about Hermione and Bill together (in my mind) in a singular work. I'll keep searching though and plug away at adding my 3 Billmione WIPs to offerings out there, to keep the flag flying. To be perfectly clear: These are GREAT fics I highly recommend. I just don't think of any one of them as the touchstone fic for my love of this pair (imo.) Still Strong by DietCokeofEvil, inspired by I Am Strong by floatsdelicately

Word Count: 38,780 / 19 Chapters

Summary: When Ron leaves Hermione without an explanation a month before their wedding, Bill returns the friendship and care she gave him when he and Fleur separated. They fall in love and build a life together.

My Comments: I read I Am Strong first and I have to say, I loved the two stories together. It's maybe even worth reading I Am Strong before Still Strong because that's how the publishing/inspiration-order goes.

Through the Ages by LadyBlack3

Word Count: 30,301 / 11 Chapters

Summary: Hermione and Bill team up to help research possible causes for a disease spreading through Charlie's dragon reserve and find themselves drawn to each other.

My Comments: This is a fun fic with a plot that keeps things moving. I love them coming together as full-fledged adults with their own lives.

I was torn on recommending Cairo Nights by GillianSteele instead of Through the Ages because they're both excellent examples of this ship, so I'll drop it here as an honorable mention if you're looking for more!

- - - - Charmione: There are SO MANY good Charmiones on my list but I need limits. I would say none of these are exactly emblematic of the typical well-loved Charmione fics, as they don't spend time on the Reserve-- but if you're looking for more recs, feel free to ask me on tumblr or leave a comment and I can happily suggest many more. Last Christmas by KittenShift17

Word Count: 17,079 / One Shot

Summary: Last Christmas, Hermione drunkenly snogged Charlie when she mistook him for Ron and shortly after she broke up with him. This Christmas, she's back at the Burrow and anxious to see Charlie again after thinking about him all year.

My Comments: This was one of the very first Charmione works I read and I recommend it to most my friends looking to get into the ship. As a hefty one-shot, it's a pretty satisfying fic with great Weasley banter and it's on my list of fics to re-read this winter when it's time to get cozy around the holidays. If you like this, check out I Saw Mummy (mind the tag) by Amebb42. Last Christmas is the shortest of all the fics I'm recommending.

Creature Comforts by neilstic

Word Count: 34,588 / 5 Chapters

Summary: Hermione and Charlie are both Hogwarts professors and are into each other. They are also good friends who get to do some fun time travel exploration thanks to the secrets of the castle.

My Comments: This fic is SO well written and snort-out-loud funny. I think of it often and it's not the typical Charmione fic, which is why I wanted to shout it out.

The Eventually Ever After Series by Huffleclaws19 deserves an appreciation post on its own and I HIGHLY recommend it of you're a fan of Charmione and Theomione. It's worth reading it in order. Merry Christmas to Me (the first in the series) is already on my Top-Tier List of all-time faves but the whole series arc is so, so good. Consider this a MOST honorable mention.

- - - - Permione: The Always Series by Simply_Lovely_Reader consists of two stories: Unlikely, which is Hermione's POV and Possibly, which is Percy's.

Word Count: Unlikely - 15,537 / 11 Chapters Possibly - 26,754 / 13 Chapters

Summary: Percy catches Hermione pleasuring herself to thoughts of him in his bed in the Burrow immediately before they start working together at the Ministry. Romance and pining occur.

My Comments: I was overjoyed to find that there was a Percy POV fic for this story but if you only pick one, read Unlikley, which is Hermione's POV.

Reflector by Calebski

Word Count: 39,692 / 7 Chapters

Summary: Hermione seeks Percy's help in finding career her path after the war they're both so changed by. He finds himself seeking her out as well as they develop a friendship and so much more.

My Comments: This author wrote one of my all-time top 3, won't-shut-up-about-my-love-for-it fics, Flourishing Devotion, a Nevmione canon re-write. I really dig their style (Venus Flytrap, another Nevmione is great too.) This Permione delivered.

- - - - Fremione: Fremione recommendations tend to fall in to a few buckets, which often overlap 1) Fred Lives 2) Fred Dies, per the canon 3) Canon rewrites of Fred & Hermione developing feelings during the Hogwarts years There are several WONDERFUL canon re-writes I'll include a few as honorable mentions.

Salve Amor by moonfairy13

Word Count: 31,974 / 20 Chapters

Summary: Hermione saves Fred's life with a bonding spell that can only be cast by someone who carries love for the person they're saving. She doesn't want Fred to know or feel tied to her so of course miscommunications and meddling ensue.

My Comments: The author, moonfairy13, has so many great fics worth checking out. What was great about this one is that the whole fic centers around the Fred Lives turning point.

I Can Love You Like That by LSU Sweetie

Word Count: 31,357 / 12 Chapters

Summary: Fred and Hermione are the last two single people in their friend group at the winter holidays. Hermione wants a relationship and is interested in Fred but has also started to get gifts from a secret admirer.

My Comments: I love a grown-up Fred and Hermione. LSUsweetie has some great works with different pairings and I particularly absolutely freaking loved Festive Fates. This is worth reading because the pairing is undisclosed, so you gotta read it to find out. Paraphrasing the author's summary: Hermione ends up pregnant after a night with a mystery man at New Year's Eve masquerade party right before she has to leave for a year-long work assignment. When she returns the following Christmas, she brings a baby with red hair to the Burrow and hopes to find answers.

Honorable Mentions, Canon Rewrites:

Don't You Know You've Got the Best of Me by raquains

Deal or No Deal by LetticeDouffet

Steel and Soft Smiles by TricksterGhost7 and its companion work, Little Glimpses

Oh So Many Years by fanfictionaries*

The Two Dropouts by tryingsss*

*Denotes a partial canon rewrite (aka ends early or starts later) - - - - Geormione: There were several great Geormione pieces I wanted to recommend but both of my recs relate to navigating Fred's death in very personal ways. That has tended to be the majority of what I've been reading in the Geormione space though there are other dimensions to this ship worth checking out. Like Fremione, there are some great canon-rewrites as well.

I have not started tackling the behemoth that is The Arithmancer by White_Squirrel yet or the rest of the series, though it's queued up as a reward once I finish some very longfics I'm working through... so I know I've read a lower % of the total completed fics on AO3 in the "Hermione Granger/George Weasley" relationship tag than Billmione, Charmione, and Fremione.

To Those Who Wait by Fictionallizzy

Word Count: 56,233 / 9 Chapters

Summary: After Fred's death, Hermione and George spend a forbidden night together which leads to much more than they both expected.

My Comments: In my ridiculous spreadsheet, I give a rating for my personal love of the story and another for the spice level. This is one that has 5/5 on both counts, the smut smuts 💋 and there's some juicy angst in there (my fave.)

In Case You Don't Life Forever by xLoveMx

Word Count: 24,724 / 12 Chapters

Summary: After the battle, Hermione and George are together and apart in their grief. She tries to prepare WWW to reopen and they finds she has to deal with Fred's ghost literally and metaphorically.

My Comments: I've read a few ghost!fred fics but I really loved this one. It was hard to select just one George-Falling-In-Love-While-Grieving fic and the extra dimension Fred's ghost added to this story made it stand out for a recommendation.

- - - - Multi-Weasley Pairings: In fics with multi-Weasley ships, they tend to fall into three buckets: 1) Siblings in competition 2) Love triangle or triad (v-shaped or triangle-shaped) 3) Reverse harems or multiple hookup partners I basically had to read through the majority of all the enticing completed long fics with ALL of the individual siblings I wanted to read paired with Hermione before I started reading multi-Weasley fics. BUT I'm glad I went there because there are some really interesting works that I enjoyed. Here's a fic rec for each bucket: 1) Siblings in Competition: Yours Til The Stars Fall From The Sky by Ronsboggart

Pairings: Fremione, Charmione

Word Count: 64,178 / 7 Chapters

Summary: Hermione and Fred are going to be together until a chance meeting at the World Quidditch Cups finds her and Charlie inexplicably drawn to each other.

My Comments: Mind the tags! This fic definitely has the underage warning on it, which I totally understand isn't everyone's thing. That said, the story of Fred and Hermione falling for each other despite the magnet-pull of Charlie really got me on board with reading Fremione works. Truthfully, I sort of didn't "get" the appeal of Fred until I read this story and for that I'm so grateful. I ended up loving the characterization of Fred and Hermione's love so much in this fic, it's definitely worth it imo.

Honorable Mention: Hot Girl Summer (shorter one-shot) by Anonymous 2) Love Triangle / Triad (V-Shaped): Hic Scunt Dracones by Amebb42 & ShadowAlt

Pairings: Billmione, Charmione

Word Count: 118,498 / 29 Chapters

Summary: On a curse-breaking expedition in a tropical paradise, Charlie, Bill, and Hermione find themselves working a case that puts them face to face with old magic. Both brothers find they care for the same woman and try to encourage her to choose between them.

My Comments: If you read my Ranking the Weasleys post, you know that I don't give a toss about dragons half the time and I REALLY loved the dragon storyline here. I sing the praises of Amebb42 in just a bit but ShadowAlt also has great stories. I enjoyed reading their author's notes in this too.

3) Reverse Harem: Where the Heart Is by Mother_of_Chaos

Pairings: Billmione, Charmione, Fremione, Geormione

Word Count: 40827 / 12 Chapters

Summary: Hermione, who has special abilities and works as an Unspeakable, receives a claiming werewolf bite while helping save a member of the Weasley family and becomes part of their pack.

My Comments: This work was recently completed this past August and was inspired by The Weasley Pack by Mrsmarauders02. Both are worth reading and center around werewolf and pack power. Mind the tags!

Reverse Harem Honorable Mention: Weasley Magic by Amebb42 I included only completed fics here but I have to shoutout the WIP that lives in head rent-free on a regular basis and that's Weasley Magic by Amebb42. This author has so many great works worth reading but this fic completely sold me on the Weasley reverse harem structure and inspired me to give other works a try. Plus, it's not based on a werewolf pack. Yes, the smut is smutty which is great fun, however, all of the characters are so well developed in this massive ensemble work. The Molly bashing-to-redemption is one of my favorite kinds of family angst and there are more relationships beyond Hermione + all of the Weasley siblings that adds delicious complexity to the story. Most importantly, the world mechanics, especially when it come to the Wizengamot, the inherited Weasley family magic itself, and Bill's new status is so, so interesting! I live for this fic . - - - - As For All The Other Hermione x Weasley Family Member Ships: You'll note from my post "Nobody Asked For This: My Rankings of the Hermione x Weasley Ships With REASONS" I don't consider myself well-read in ships with Hermione/Ginny or Hermione/Ron or some of the other family members, so no recommendations at this time. If you have recs, please share! I'd love to know what I'm missing out on or what your fave works are for different pairings.

Don't forget to check out the newest fic, Ranking the Weasleys on AO3!